By turns a Carthaginian,
Roman and Byzantine fortress, this was for some time the castle of the Arab
emirs, before they built themselves a new fortified citadel (Al-Halisān or
Kalsa) near the harbour. The old complex of buildings was restructured and
extended by the Siculo-Norman kings, who added new towers and the splendid
Palatine Chapel (see separate heading).
The 12th-century Andalusian Arab chronicler and traveller Ibn Jubair
wrote enthusiastically about this royal palace, describing it as a fortified
area with a wealth of towers, pavilions, reception rooms and delightful gardens.
Despite the considerable alterations made during the Renaissance and Baroque
periods, there is still much that remains of the Norman palace, in particular
the Palatine Chapel and the so-called Gjoaria (jewel tower). The latter is a
marriage of Norman keep and Arab-Byzantine tower. Internally, it is sub-divided
vertically by two squares of arches (see notes on churches of the same period),
creating two lofty rooms with fine ceilings (Sala dei Venti and Sala degli
Armigeri) and walkways round the perimeter. The load is perfectly spread by
continuous foundations similar to inverted beams. It is amazing to think that
the cellular design of this constructional system anticipates some of the
technical solutions adopted by modern architects. In other rooms there are the
remains of exquisite mosaic work, showing that the palace must have been
lavishly decorated. The photographs show the Torre Pisana, the Sala dei Venti
with its four arches, and the mosaics in the Sala di Re Ruggiero. The palace of
the Norman kings was described by a number of medieval chroniclers, including
Idrisi, U. Falcando, R. Salernitano and Ibn Jubair.
Vittorio Noto
Bibliography
- "Palazzo dei Normanni" A.R.S.,
Palermo, 1991
- R. La Duca, "Il
Palazzo dei Normanni", Palermo, 1997
- V. Noto, "La tradizione dei
giardini reali annessi al Palazzo dei Normanni", Palermo, 1999
Photography
Melo Minnella, Palermo